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The word syncretism derives from the greek “συγκρητισμός”. The term appears for the first time in "De brotherly love", by Plutarch.
The Latin word passed sincretismus to indicate trends eclectic and reconcile between different schools of thought in the modern sense of "fusion".
In modern times, the term syncretism has spread thanks to the New Age, but the actual meaning of the term should not be confused with the interpretation that this movement attributes. For purposes of syncretism is important to the effective engagement in research within the inner doctrines of reference shared by choice or cultural affinity.
The term syncretism has also recently been used in art. In this case it gives the term a broad meaning, namely, synthesis of styles, shapes and languages that to intervene creative in generating new ideas and new research paths for the world of Art.
The "sincresi" can also be seen as a synthesis between art and science, between artistic genres and different expressive languages in order to produce castings of interest
enlarged.
Leonardo da Vinci said that between art and science there was no difference, there were no boundaries but different objectives.
For the Luvit "sicretismi" are derived from mathematical sources, generating all forms of stealing the Chaos, however, available for processing of their geometries and contamination of the creativity of the artist developed where the "sincresi" between different disciplines is a amalgamation process color identifying, as a fingerprint, the poetry of its creator.
Even for this collection Luvit choose to make plexiglass impalpable matter and stop immersion in the uniqueness of the matrix that is noble for a circulation of multiples on canvas in 48 copies signed and numbered.
This collection includes over 70 works dated 2009