The painting is the contemplation of the things in suspence; they learn us that the miracle of the visible things is a sudden phenomenon which in the course of time is changing continuosly.
The coincidence is the simultaneous and casual happening of two or more facts or different circumstances.
The coincidence turns artistical language, when the different circumstances generate a strong emotional evocation. The representation of the real is transformed into the power of the universal poetry and into the stimulus for reflection and introspection.
When two or more facts or different situations (considered in an not objective way or pressed by impressions or sensations, otherwise not examined in a rational way) get used in order to cross this intermediate way between real and surreal under the form of figurative communication, only then the representation, which the artist proposes to us, assumes the power of suggestion. This suggestion is exactly when the spectator gets led to recompose the memories of life and of imagines of the past in new constructions. 
The imagine isn' t necessarily considered as a reproduction of an event, happened before, but rather a construction, a synthesis. The imagine isn't seen anymore like a copy, but like an imput of reflection to produce the flight of the daily life, in order to get back the support of the dream.
Luvit proposes a series of photographies, some shut by the artist, others taken from the mass media, but all of them elaborated at the computer. They can be considered particular anc curious coincidences or projected into an imaginary world, where the suggestion is able to nourish the fascination of the unforeseeable.
In these artworks the quality of the photographies isn' t the most important element, but it's the fascination of the coincidences that is slipping mostly at the attention of mankind, always more absent, because of the problems of the daily life and the mania to show off, even like the representation in its totality of all constitutive elements willing to produce possibilities of reflection about the important topical subjects that are envolving the humanity in general and the man in particular.
Kandinsky dedicated hisself with all his mind to find a way and the techniques to involve the spectators in his artworks so that they got part of it, after having gone through every part of it.
Therefore it' s only the artist who will have produced an added value.