Luvit’s pictorial collection called “Microcosm” wants to investigate in a middle world, which often our occidental logic careless, and which is situated in the space between opposite concepts large and the small, assertion and negation, masculine and feminine, light and darknes, life and death, conscious and unconscious.
It's called “Microcosm” because the infinite spaces between the conceptual severity of the oppositions which, in this way, assume the strength of the certainty and very often are ignored for the same dichotomy; these spaces, if are crossed without prejudice, can reveal us a “Third Thing” that represent the structures which band together, through music and poetry, the whole Humanity and imposing the concept of One in All and All in One.
“Microcosm” can symbolize the minuteness of the investigation and the inexhaustible availability of journeys, that initially are invisible, but the Third Thing reveals us. Minuteness like the recovery of the mental elasticity for the generations which are conditioned from a culture where the information “use and throw” preclude the capillary investigation and, with this, the Sunken Realities. It appears obvious that the Man remains at the center of this investigation without discuss on the concept of reality how it apperars him: it come from the finished (the past) and it project itself to the infinity (the future) very often like a simple spectator who is sat in the theatre of the rhetoric of the existence, also disposing of the conscience of the existence and the cultural curiosity, irreplaceable vehicle for the trips in the middle worlds.
Chromatism and the informal forms are the language which Luvit prefer for his research: chromatic language and the labyrinths want reveal us the multiple possible ways for to pick the relations between dark and light, life and death, animus and soul, between pure perception and the universal poetics which are captive in the unconscious; the consequent indefinite hermaphrodite consequent but definable, imperishable deponent of the primordial Caos that is the confirmation of the Order which we can find in the entropy, it identify and impose valence of the intermediate which is a very important way towards the One and undeniable immensity of All
Our life is never repetitive, the experiences can' t be overlapped, even if in the apparent monotony of the daily life we' re going again along the same routes to the infinite, drawn up by the rhythms and the scansions of the moment.
The alterning of the cyclic nature between empathies and more or less planed and organized systems, the first ones nourished by emotive drives, a window on the unconscious, even enriched by the memos present in the genomes, the second ones elaborated and reorganized by superstructures of socio-economic-cultural contexts in which we' re living and with which we' re feeding ourselves, conditions us in a always more progressive way in which results "precluded" the possibility to analize the rhythms and to inquire the scansions of the daily life in order to be aware of the infinite variaties which can offer us even a single moment.
Kandinsky dedicated hisself with all his mind to find a way and the techniques in order to attract the spectators in the inside of his artworks so that they got part of it after having gone through every part of it.
The microcosms in their complete vision, give us back a nearly labyrinthic representation which symbolizes the sum of our daily lives - a nearly misterious necessity - and invite the spectators to enter into the picture at the search and the discovery of the never-ending variaties of which the real life is the bearer, to take conscience and to recognize each other in it in order to free ourselves from the "pincers" of the dichotomies and to recover the consonances for tomorrow.
The colours and their vibrations influence our soul, the warm colours simbolize the empathic drive, while the cold colours simbolize the systematic organizations of everybody' s life. The invitation to enter into the artwork is almost indispensable and once a time immersed into the infinity of ways we can acquire the conscience that all our life is imbued with moments to which we don' t attach any importance, but which get the pillars on which we trace and construct the highway of our existence.
The complete vision is our real life, the closer vision of moments of our life, the little dimensions of the picture the living particle in the immutable rhythm of the eternal symbolized by the surrounding black space.